SYLVAN
WICCA /SHAMANISM
LESSON 3B
Lesson Three: Elements of Ritual (Part 2)
Continuation of the material begun in the previous section, Lesson Three:
Elements of
Ritual (Part 1).
Step 5: Applying Energy
In the example of our room renovation, when we raise the energy, we began
to paint the
room, adding new colors to the world around us. But at this point they
are merely
brighter hues on a dim canvas, they are simply colors without form,
without substance,
and without a precisely defined role.
That's where we begin to apply the energy, to take the colors that we've
brought to the
room and slowly weave them into something beautiful. We carefully tape
the window's
glass and, with a smaller brush, bring new life to a faded window frame.
We might paint
the floorboards a complimentary color or decide to put a new plate on the
light switch.
But even though it may seem that we are simply continuing the process
outlined in
Stage 4: Raising Energy, we are now doing something more.
We're creating.
If you talk to an artist, they'll tell you that their finished work often
turns out quite
differently than they originally intended. That, as they begin to work,
they may become
inspired by new colors or decide that the piece seems to be leading them
in a new
direction. There is a fragile, undefined moment when a process stops
becoming a
mental exercise and begins to take on a life of its own. In the example
of our room, we
may find ourselves smiling as we can suddenly see how the room is taking
shape. It is
no longer something we simply intended to do, it is no longer a process
of moving from
one state of energy to another. We are there, we are embracing the energy
we've
created, and in the next step, we will seal it and make it strong.
This stage, applying energy, is that moment when "it all comes together."
If you've
done a certain amount of magickal ritual work, you know that in your
ceremonies there
comes a time when everything begins to flow, when it seems as if there is
an unseen
wind at your back, filling your magickal sails. There simply comes that
moment when it
all begins to fall into place and, subconsciously, we begin to approach
the process with
a new state of mind. No longer are we simply trying to create something -
we are
actually creating, we can see the process coming to life before our eyes.
But, if you pay attention to what's going on inside you, we don't stop
what we're doing
at this point. We are within the flow of energy, we have stepped from one
state of being
to another. We are no longer simply a person with mundane concerns, with
a thousand
questions about who we are and why we're here. We're the artist, creating
something that
gives us joy; the athlete, seeing all of our training pay off; the
musician, at one with the
music, feeling it flow. Or the home owner, smiling in pride as an old
dismal room begins to
come to life and slowly forms into something magickal beneath our touch.
Step 6: Sealing Energy
Our room is painted and beautiful, the windows open, letting in the cool
breeze of spring.
But if you think back, that wasn't our intent. We wanted to reclaim the
room, to make it a
special place devoted to ritual and ceremony within our home. At the
moment, it is simply
a bright, cheerful room. If we were to walk away, to leave it in its
current state, it's purpose
may change. It may sit, unused, until we begin using it for storage, to
keep the empty
boxes that once contained the household we've unpacked into our new home.
The room
itself is ready, we simply have to take the final step, to seal it into
its intended purpose.
Sealing the energy is the "lock" of the ritual, a process of binding the
energy to a spell or
taking the steps to insure an endeavor is successful. It's the handshake
on a deal, the "By
the power invested in me, I now pronounce you man and wife" in a
Christian wedding, the
"As I speak, so shall it be" in spellwork.
This sealing is important for two reasons. First of all, it creates a
subconscious shift within
us. In the example of the room, we have only created something beautiful
that we intended
to be used for a specific purpose. But we have yet to name the creation,
to give it life, to
welcome it into its new role (we will discuss the power of naming in a
later Phase of this
course). By naming the room or presenting it with its purpose, we define
it. The work of art
is no longer a simple painting but, "A Morning With Roses." The room is
no longer
simply a beautiful room when we stop and say, "I have created this room
for ritual and
ceremony. And it is complete."
So what is involved in sealing energy?
It can actually be a very simple process. When most people do spellwork,
they stop the
process after directing the energy to its destination. Sealing the energy
is simply
visualizing it actually accomplishing it's task and saying something
like, "As I speak, so
shall it be," claiming the completion of the spell and sealing that
completion to the energy
you just directed.
Think of it like this. Let's say you're at the beach and you want to fill
a bottle with
seawater. Rather than just dunking it in the ocean until it's filled, you
dig a little
indentation in the sand and lay the bottle on its side with the mouth
facing the surf. As
the waves come crashing in, some of it gets into the bottle while some of
it erodes the
sand, so the mouth of the bottle points down at a slight angle. If the
seawater was the
energy of the rite and the bottle was where you were directing it, you'll
notice that while
the water goes into the bottle with each wave, a portion of it also pours
out because the
bottle is tilted downward. Sealing the energy (by visualizing the spell
to it's completion) is
kind of like waiting for a wave to fill the bottle and then sticking a
cork in it before the
water can run out. I like to say something similar to, "As I speak, so
shall it be," as a way
of saying, "I got the cork in! And water, you're going to stay in there!"
The verbal
component is not completely necessary, but there is a certain power to
the spoken word
and every little bit helps.
I always have a purpose behind every ritual I do -- magickal or
otherwise. This is the
intent we speak. Even if I am simply casting a Circle to honor the moon,
I will specifically
focus on honoring the moon within that Circle. In a situation such as
that, I may spend
some time focusing on the moon, visualizing it's energy filling me and
then to seal it, I
might visualize that as I turn my face away from the moon, I remain
filled with the moon's
glowing light, that I can still feel its presence even though my eyes are
no longer on it. I
might say something simple like, "Even when I can't see you, Moon, I am
still connected
to you and filled with your light."
Sealing the energy is the period at the end of the sentence, the moment
when we realize
that our task is complete, that we claim the victorious outcome as our
own. But we aren't
done yet. There are still two very important steps to complete.
Step 7: Giving Thanks
I was taught, both by teachers and by monitoring my own state of mind
while working
with Nature, that we should always give thanks. This is as fundamental to
me as
grounding energy at the end of a rite and is a lesson that I seek to
instill in every student I
work with.
There are a number of reasons as to why we give thanks, but I believe the
most important
is that it begins to change our perspective and our attitude toward all
of life. When we
thank someone, even ourselves, it implies that what was done has value,
that it's
important. Try thanking yourself for a job well done. It's amazing how it
changes the way
you think and feel. When you thank the natural world for a wonderful day
of hiking, you
will stop seeing the forest as merely dirt and trees, but rather a
special, interwoven
creation which provided you with the memories of the day, with the energy
of the
afternoon, and with the spiritual recharging that so many of us find
outdoors.
Giving thanks implies that we received something, rather than simply
taking it. As we
move deeper into this guide and begin working with spirits, both natural
and ethereal,
you'll realize how much of your ability to interconnect with them has to
do with your frame
of mind. It is a little understood, seldom mentioned area of Witchcraft,
but one which we
will address in this guide.
The process of giving thanks can be simple or elaborate. It can take the
shape of a quiet
moment or a gift we give the energy around us. Think back to the magickal
room we've
been renovating in these pages. It has changed from a dismal corner of
our house to an
enchanted place to create ritual and magick. To say thanks, we could
simply stand in the
doorway, admiring the colors of the fresh painted room, basking in the
caress of the wind,
the sunlight that spills through the open window and say, "Thank you
room, for coming
to life." We could then turn and thank ourselves for bringing something
beautiful to our
home. We could allow our thanks to take a physical form, bringing a
bouquet of flowers
from our garden in to further enliven the energy around us.
As we begin to be thankful for the various rituals within our lives, we
begin to understand
the value of each sacred moment. The path I teach focuses on awakening to
life, it seeks
to teach us to open our eyes to the life we live. If you could give
yourself one gift, would
it be a car? A house? Or the ability to look back upon each day, seeing
it as richly lived,
feeling that we truly experienced what it means to be alive. Giving
thanks is a fundamental
part of this process, which is a gift to ourselves precious beyond
compare.
Step 8: Grounding
When we work ritual, we specifically take hold of the energy of a moment
and move it from
one state of being to another. We have gone from early morning at home to
the hustle of
the morning commute. We've taken a dingy room and turned it into
something beautiful.
Or perhaps we've cast a Circle and woven the energy into a spell.
Whatever the purpose,
we've connected ourselves to the energy of the moment. By taking charge
of the situation,
we've bound our being to the things we've changed.
This energy has a definite, often subtle impact on our daily lives.
Occasionally, we will
specifically choose not to ground. There are a number of reasons that we
may seek to do
this; for instance a rite which connects our sick body to healing energy.
But normally we
seek to let go of one type of energy, so we can begin to embrace another.
This process is
as important in a magickal ceremony as it is finding closure when ending
a job or a
relationship.
Grounding is simple and there are countless ways to do it. After a
magickal rite, I often
stomp my feet or eat a bit of food. Both shift the subconscious back to
the realm of the
physical. If neither method is appropriate, I will often say something
simple, such as, "I let
go of the moment, freeing myself from all but the wisdom and memories it
contains."
Exercise Three: Understanding Daily Rituals
Choose three things in your life you would consider to be rituals.
Your
choice can be something simple like making and drinking your morning
coffee or preparing for bed. Or, if you are used to working ritual
in your
own magickal practice, choose a ritual that you do on a daily basis,
such as
welcoming the sun.. See if you can break all three rituals into the
eight
steps involved in ritual work. If not all eight steps are present,
ask yourself
if you've combined steps together or if you simply don't incorporate
all
eight. If you don't incorporate all eight steps, ask yourself, "Why
not?" It
may be completely appropriate for you to omit a step, or you may be
leaving something out that you could easily add to enhance your
rituals.
Write down your responses in detail. You'll want to look back on
them at a
later date.
Breaking a ritual into eight stages may not seem important. But this is a
useful concept for
us to use for two reasons.
First of all, it helps us break the event down into understandable
portions. We can't begin
to fully embrace something until we can understand it. That's one of the
probable reasons
why our spiritual ancestors sought out the solstices and equinoxes; they
divided the solar
year into portions that they could understand. It is much simpler to
grasp the change of
energy from the summer solstice to autumnal equinox, than it is when we
have no point of
reference.
Our lives are a lot like that. If you find yourself growing tired at a
certain time of day, your
mood regularly changing for reasons you don't understand, or another
shift in
consciousness taking place at regular intervals, stop and take a look at
your world.
Consider what is happening before, during, and after each step. It's
likely you will find
transitions there that can be embraced ritualistically. By doing so, you
can begin to
understand why you respond in certain ways. And anything that you
understand, you
can fully embrace or change as you see fit.
The second reason is that, by understanding the components of ritual, we
can create new
rituals as we require them.
The First Cycle course is written by Graelan Wintertide
and is © 1999 All Rights Reserved