SYLVAN
WICCA /SHAMANISM
LESSON 6
Lesson 6: The Symbolism of Energy
Many modern Witches embrace a number of specific traditions when setting
up an altar
and working ritual. Many of us call upon the same elements, summon them
from the
same directions, and associate the shapes of certain objects with certain
attributes. The
association of specific qualities with specific objects (like the type of
elemental energy
residing in a certain compass direction or certain properties being
associated with
specific shapes) is a useful mental tool for us to consider. Think of the
concept as a
snapshot of magickal energy. By associating certain properties with very
specific
things, when we think of a direction, of a chalice, of a round curved
shape, as a Witch,
the type of energy that we've connected with the item before us
immediately springs to
mind, creating a short cut to visualizing and initiating the summoning of
certain kinds of
energy.When we take the time to work out these associations in our own practice,
we begin to
develop a vast array of magickal tools that we can call upon as needed.
Think of each
type of energy as a certain color of thread, of yourself as the weaver,
and the ritual
before you as a tapestry you seek to create. As you call upon different
types of energy,
embracing them in your mind and placing them into the rite, you can begin
creating the
correct feel of energy around you.Think back to our example of magickally renovating a room in our new
home. We could
have simply painted the room one solid color and left it at that. But
that wouldn't have
created the feel we wanted. Each thing we brought into the room (the
spring air from
outside, the complementing colors for the floorboards, the brighter
colors for the
window frame) changed the feel of the room around us. Ritual work,
especially the
creation of a specific type of energy, is a lot like the process of
renovating that room.
Each thing we add changes the composition of the ritual's energy,
each
specific conceptwe call upon changes the feel of the rite and the manner in which
the energy is
applied. Don't worry if you don't feel that you have the skills to
accomplish this. We
will talk about this process in great detail and you'll do exercises
specifically designed
to develop these skills, both in the next lesson as well as when we
address the topic of spellwork.
Each direction is thought to have a specific form of elemental energy
associated with it.
Air is traditionally called from the East; Fire from the South; Water
from the West; Earth
from the North; Spirit from Within and Without. I was taught that the
directional
correspondences for each element were developed in the United Kingdom.
Winds blew
off the European continent to the east, connecting the practitioners'
thoughts to Air.
The equator and warmer climates were to the south, instantly associating
that direction
with warmth and Fire. The Atlantic Ocean lay to the west, establishing
Water in that
direction. And the endless ice appearing to the eye as Earth, lay to the
north.
Those are extremely useful correspondences - if you're a Witch practicing
in the United
Kingdom. But what about the rest of us? What about my Pagan friends in
Australia where
even the seasons are reversed to a Witch used to practicing in the
Northern Hemisphere?
How do we find something that works for us in the place where we live?
What I did, and I encourage you to do the same, is to begin thinking
about the
environment you live in and the manner in which you subconsciously think
of each
direction. Perhaps you live in Kansas and there isn't a large body of
water to connect with.
Which Ocean do you think of when you think of Water? Perhaps you live
elsewhere near
the shores of a majestic lake. Does it make sense to associate Water with
the direction in
which the lake is found, rather than simply associating the element with
a direction?
My own Tradition coincidentally mirrors the correspondences from the
United Kingdom
that I learned of in my own studies. I say coincidentally, because I had
discovered my
own home for the elements long before I learned of the associations that
many modern
Witches draw upon.
Living in the Pacific Northwest, Water was the easiest element for me to
establish a home
for. The mighty Pacific Ocean, with all her moods, lay immediately to the
West of me. I
spent a great deal of my childhood living on her coasts, and in my
adulthood I return to
her again and again. Our natural cycle of precipitation begins in her
womb, the rains rising
from the sea and moving inland. Each river, each stream in the land I
know as home races
back to her embrace. All of these added to my placing Water in the West
in my own
Tradition.
South has always been connected with warmth and heat to me. The farther
south you
drive from my home, the closer to the equator you draw and the warmer it
gets. Southern
California and the tropics both lay to the south of me, as is the
incredible heat of
California's Death Valley and the deserts of the American Southwest. When
I think of
anything to the south of me, it's always warmer. So South became the home
of Fire.
Massive mountains and countless miles of untamed wilderness lay north of
me.
Washington's Olympic Peninsula; Alaska's Mt. McKinley; the Canadian
wilderness; all of
these are found to the north. Mountains and thousands of miles of
forests, drawing up
the energy of the earth. North has always symbolized Earth to me.
Which left Air in the East. Eastern Oregon and Washington are filled with
wide open
spaces where the winds race unhampered by tree or mountain. There are
vast open
spaces, rolling plateaus where the wind dances through the grasses, where
antelope
graze, where your eyes can stretch to the horizon unhindered. There is a
certain majesty to
the openness, to the wind that blows through your hair, to the endless
sky above. Each of
these are things I associate with the element of Air, and this element
naturally found its
home for me in the East.
I was taught by a Native American woman that I studied under for some
time, that Spirit is
everywhere, that it connects all things. I came to believe, both through
her teachings and
my own discoveries, that the energy that connects all of us, that gives
every living thing
substance and life, is one energy, that we all are expressions from the
same Source. So
when I call upon Spirit, I call it from everywhere, both from within and
from without.
All of this is very interesting, but it raised the question, "Why five
elements? Why not
seven? Or three? And why this combination?" Simply put, everything that I
can
personally picture in the natural world can be associated with these five
elements. Air is
the wind, the oxygen we breath, the sound waves that reach my ears, the
electrical
impulses that allow me to think and move. It's the breath of life. Fire
is a candle flame, the
sun, the warmth of a spring day, the twinkling of stars, the desire of my
heart to beat, the
inspiration that drives me to create. Water is rain, snow, tears,
streams, rivers, oceans and
the salty blood that fills my body. And to me, the moon is connected with
Water as well,
as it is her pull that commands the tides. Earth creates my bones, the
mountains, the
ground beneath my feet, the soil that crops grow in. And Spirit
encompasses the
intangibles of life - our personalities, our souls, our minds, and a vast
array of emotions.
Other cultures and other practitioners draw upon other correspondences. I
once knew a
practitioner whose path was strongly influenced by the beliefs of the
East. His elements
were composed of Wood, Fire, Earth, Metal, and Water. There are
practitioners that I
know who follow well-established Traditions that believe that there is a
certain power in
having everyone use the same correspondences for generations, in knowing
that you're
doing things the same way they've been done for years. I personally find
that there is
more benefit building your own personal Tradition based on the
environment around you
and the beliefs of the life you live. But that's one of the beautiful
things about Witchcraft.
Each of us chooses the approach that's right for us. This just happens to
be the way I teach it.
The other type of energy that's useful in our ritual work is subtle and
dynamic energy,
often referred to as feminine and masculine energy. This has nothing to
do with gender, as
each of us are composed of varying degrees of every kind of energy. In a
sense, each of
us symbolizes the world as a whole.
Feminine energy is generally considered to be passive, nurturing, and
creative. It's
normally associated with round shapes, gentle curves, and containers
which exhibit these
qualities and remind us of a womb, such as cups and bowls. Masculine
energy is normally
thought of as aggressive, assertive, and destructive. It's most often
associated with
straight lines, hard angles, and objects which have features similar to a
phallus such as a wand or staff.
There are further correspondences which are traditionally adopted.
Feminine energy is
often associated on the left; masculine energy on the right. This was
established by
corresponding the aggressive masculine energy with our dominant hand and
the passive
feminine energy with our off hand. I remember the correspondence by
calling upon the
image of a warrior with a sword in his right hand and a shield in his
left. Both types of
energy are indispensable in combat; they both simply have different
applications. The
assertive, masculine energy becomes the sword, the more passive, feminine
energy becomes the shield.
Elemental energy is often associated with certain colors. Air is seen as
yellow, Fire as red,
Water as blue, Earth as green, and Spirit as white. If you come across a
pentacle in a store
that uses these colors as points, or a ritual where the candles are of
different colors, this is
usually why.
Remembering that we are each composed of these masculine and feminine
energies, that
we hold each of the elements within us. As we move through this course,
we'll learn to call
upon them and shape them to our needs. But for now we're going to look at
what each type of energy means to us in:
Exercise Five: The Symbolism of Energy
For now, I would encourage you to adopt the elements that I use
(Air, Fire, Water, Earth, Spirit)
unless you feel a strong connection to other specific
elements. Doing so will enable us to use the same language
throughout
this guide. It will be a cleaner process when we're considering
elemental
energy to use the same elements than for you to have to stop and
mentally
build a bridge between the elements I teach and a different set you
use.
But, if you do feel a draw to other elements, by all means use them!
Remember that you are blazing your own spiritual path, that you
aren't
simply following mine. You'll simply have to put in a little more
effort while working with this guide.
In the same manner that you recorded the other exercises you have
done,
sit and consider what the elements mean to you. On a piece of paper,
in a
notebook, or on your computer, write,
"When I think of Air, I think of...,"
and list everything that comes to mind. There are no limitations to
your
personal correspondences. You can write down events, people, places,
emotions, things; anything that you feel a connection to while
thinking of
that element. Feel free to create the lists one at a time, over a
period of
days, or list all the elements one after another in a single sitting
if you feel
led to do so. When you're done, step away for awhile and come back
to the
list when the element is no longer foremost in your mind. Read over
the list
and cross out everything that no longer speaks to you, that doesn't
bring
the element to mind again. You should be left with a list of
correspondences that instantly creates a subconscious bridge to each
element, a mental shortcut that you can draw upon again and again in
your ritual work.
Once you've completed this exercise, do the same for masculine and
feminine energy. Do not think of it as male and female or woman and
man
energy. This is a more difficult task, as its often difficult to
move beyond
the stereotypes we have associated with gender. Don't think of this
as an
exercise where you are considering what it means to be a woman or a
man,
but rather where you honestly ask yourself, "When I think of the
feminine,
I think of..." and write those things down. Do the same with the
masculine.
Once again, when you've completed the list, step away for awhile
until you
the process of considering the correspondences is out of your mind.
Then
come back again and eliminate those things that no longer speak to
you.
This exercise is designed to increase the tools available to us in our
magickal tool kit and
to clarify the concept of various kinds of energy. Rather than having a
vague concept of
what Fire means to us, we now have specific images we can call upon.
Remember at the
beginning of Lesson Three, the visualization I drew upon while shaving?
In the example, I
didn't simply call upon the energy of each element, but rather summoned a
memory to
mind which represented that specific energy. Air was the wind, Fire my
candle flame,
Water the surging surf, Earth the finger of stone that extended out into
the sea, and Spirit
the spark of life I carry within. Rather than simply using words, I chose
specific images
which captured a magickal snapshot of the energy I wanted to use. By
defining the
elements as we did in exercise five, we are creating an archive of images
and concepts
which we can use in a similar manner. And we will add to these throughout
our journey, as events present themselves.
The reason behind deleting items from our list is simple. Our
subconscious mind is often
called upon to fill in the blanks in our thought processes. It begins to
make associations
based upon our responses, rather than the original question. For
instance, "campfire" may
remind me of the element of Fire and, following my thought process, I may
write down
"roasting marshmallows" next. But when I return to the list, I realize
that roasting
marshmallows really doesn't remind me of Fire at all; it's only connected
in mind to
campfires. So roasting marshmallows is removed from the list, as is
everything else which
my subconscious suggested that I really wasn't looking for.
The First Cycle course is written by Graelan Wintertide
and is © 1999 All Rights Reserved